The Mind’s Eye, published on 23rd May 2025, is a book of stories to be read aloud to young children between the ages of three and a half and six.
It has no illustrations. The idea is to nurture the faculty of image-making, especially in our times when children receive an abundance of pre-packaged images, whether on screens or in books. Rarely do young children have the opportunity to create their own images, to exercise their imagination, the faculty which Einstein famously said, “is more important than knowledge”.
There are three separate stories, each of about thirty thousand words divided into short chapters.
Read about the thinking behind Jill’s new book in her blog
Poems from Paintings
These poems were inspired by works of art, chosen across place and time for their intrinsic power and the challenge they present to provoke thoughts and feelings in the viewer.
Ideally, readers should find a reproduction of the painting – easily available on the internet – to contemplate, before reading the poem. The hope is that readers might become aware of previously unnoticed aspects of the work and be interested in seeing how their own responses match or indeed conflict with those of the author.
Thus, the collection aims to offer an invitation to contribute to an ongoing dialogue between the artist, the poet and the reader. All art forms open a window into other lives and ways of seeing; this interplay between the genres provides an opportunity to reflect upon much that lies beyond one’s own immediate experience.
Poems from Poems
These poems are a response to a wide range of well-known poems from across the ages. They are written in the same poetic form as the originals and offer a modern perspective on their central themes.
The reader is invited to look up the original – perhaps to re-read a loved poem or to explore unfamiliar ones – and see how far attitudes have changed over time.
The environment is a particularly poignant topic, as so many older poets were consoled by its seemingly enduring beauty in troubled times.
Another theme is the belief in the afterlife, which was central to many of the earlier poets, and the contrast with our own largely sceptical age. There are also, of course, universal themes such as love, death, change and parting.
The tone aims to echo each original, with satire and humour mixed with more serious and reflective moods.
